Sunday, September 25, 2005

Sean Meredith, Paul Zaloom, and Sandow Birk "Smog and Thunder"

Past Event at the Grand Central Art Center

09-25-05

Sean Meredith, Paul Zaloom, and Sandow Birk "Smog and Thunder"


Smog and Thunder is a mockumentary about a California civil war set in a vaguely recent past. Completed in September 2002, the filmmakers are now exploring distribution outlets and the film festival circuit. In November it premiered at the Festival of Festivals in Palm Springs, where it won the award for Best Digital Film. It was also selected to screen in competition at Slamdance in January 2003 in Park City, Utah. Slamdance had over 2800 entries and chose 28 of for the 2003 festival.

The film was produced and directed by Sean Meredith, and written by Sandow Birk and Paul Zaloom. The Great War of the Californias was the ultimate calamity in a state strewn with calamities. Based on the paintings of Sandow Birk, this film explores the history and the stories behind California's tragic conflict. The paintings and propaganda posters convey the intense hatred that had built up between Los Angeles and San Francisco. When the powder keg ignited, the state was quickly consumed by this horrible war.

In Smog and Thunder tells its story through the humble words of the soldiers and citizens who lived through it: infantry privates, civilian yuppies, traffic reporters, colonels, generals, and gardeners. Our crackpot historian, who smooths over war crimes with juicy gossip, leaves you feeling confused and inferior. This grand procession makes you wish there were even more wars.

 

The story of Sandow Birk's fictional war is told through a large body of artwork that has been exhibited as an historical farce at two California museums, the Laguna Art Museum and the Sonoma Valley Museum of Art. Complete with models, dioramas, and an audio tour, the museum was played up as the arbiter of truth. This idea is expanded upon in this mockumentary, which challenges media conglomerate hype and exploitative spectacle with its own counter spectacle. In the same way that Ken Burns used actors to read letters home from war veterans over the super-slow pans of Civil War cabinet photos, In Smog and Thunder spoofs these narrative devices and expands upon them: the film's audience doesn't know if they're listening to actors portraying the witnesses of the war or if the actors are doing a send-up of documentary actors.
Claudine Isé, an assistant curator at the UCLA/Armand Hammer Museum, wrote about the project, "Although viewers know from the get-go that this account of the Great War cannot be accurate, the conflicts portrayed . . . reflect many of the material and social realities that confront Californians today." And, as such issues as immigration and over development descend upon America's Heartland, the political hot-button issues that California faces are popping up across the country.

Sandow Birk collaborated with writer/performer Paul Zaloom to create the audio tour for his exhibition at the Laguna Art Museum and they worked together to expand the tour into a film script. In August 2001, as the first rewrite was being completed, Birk met Sean Meredith, who quickly jumped at the project. Meredith was drawn in by the paintings' classical forms and comical details, which are complimented further in the film by Zaloom's serious narration of lines like, "Northern Brigadier General Susan Hwang marshalled her forces to defend her beloved Tenderloin, ordering the troops' extra rations and putting the whole thing on her credit card."

Tuesday, May 10, 2005

Spotlight on Local Filmmakers: Dermott Petty

Past Event at the Grand Central Art Center

05-10-05

Dermott Petty's "Manband."


The MANBAND script follows two music promoters, Louie and Joey, on a new assignment to find the next hottest thing for Reality TV. As former promoters of boybands, it only seems logical that Joey would inspire to create a "Manband." The Television Company plans to film their new creation from discovery to reality. From this point the film takes off, involved in auditions, television sabotage, bad folk music, bad dancing, and a "Manband" of misfits.

 blog:http://manbandthemovie.blogspot.com/



Friday, April 1, 2005

Spotlight on Local Filmmakers: Marianne Magne

Past Event at the  Central Art Center

04-01-05


Marianne Magne has been exhibiting her work in galleries in Europe and the United States for anumber of years. Her video work, here represented by pieces from 2002 and 2003, will be shown on Friday April 1st at 8:00pm.
Marianne will be presenting several short (1 to 5 minute) experimental works along with "The Rhetorical Ass," a 25-minute work and will take questions from the audience afterwords.
 



Cramps on Milk
TRT: 01:21, 2002 

Credits: Concept, editing + sound and animations: Marianne Magne

Camera: Ann Perich

Music: From :“Surfin’bird”, The Cramps

Production: bare Skull production 

Synopsis: From LA to eternity [a cosmic trip]

TRT: 02:00


PSYCHOPOMP

TRT: 8:48 mn, 2003

Credits: Filmmaker: Marianne Magne

Cinematographers: Violette Villard, Steven Yeager, Marianne Magne

Music: Ann Perich, Daniel Day, Malcolm Brooker.

Editor + Sound and Animations: M.Magne

Actors: S.Yeager, M. Magne

Synopsis : Psychopomp : [ Greek mythology:The guide that leads souls on their journey to the underworld ]

The film is a dream-like sequence that fluctuates between Eros and Thanatos.

A sensual-political experiment, that follows the poetic non-linear logic of the brain in REM.

 

THE RHETORICAL ASS

[l’âne Rhétorique]

TRT: 25:00, 2003

Languages: English [french subtitles]

Credits/crew:

Filmmaker, writer: Marianne Magne

Cinematographers: Alfonso Gordillo, Marianne Magne, Steven Yeager,

Music: Ann Perich, Daniel Day, Malcolm Brooker.

Image and sound editor + Animations: Marianne Magne

Cast: Emmanuel Atalaphe, Violette Villard, Marianne Magne

Dresses creation: Swinda Reichelt

Bare Skull production

Synopsis : The Rhetorical Ass [12 Steps to Enlightenment ] is a sophist declension on love, hairless beasts and hairy creatures.

Past Screening: “Synapse” 2004 Venice, CA


OUT OF NOWHERE [The Remix]

TRT: 08:45, 2004

Credits: Filmmakers: Marianne Magne + Violette Villard

Music: Ann Perich, Daniel Day

French prose : Violette Villard

Editor + Sound and Animations: Marianne.Magne

Performers/specimens: osseus labyrint [Hannah Sim + Mark Steger]

Cinematographer for original “Nowhere” 2001: Matt Jones

Productions: bare skull [LA]  and So What productions[Paris]

Synopsis : Mutating specimens on French prose

Friday, March 4, 2005

Spotlight on Local Filmmakers: Matt Frantz, Zach Kleyn, Amir Motlagh, and Chris Garlington

Past Event at the  Central Art Center

03-04-05



Zach Kleyn
Positive,
trt 03:15,2003

Inspired by the childhood game of muting the television and talking over the speechless actors, this short drama uses voyeuristic images of strangers in a cheap diner. Separate audio tracks are then laid on top of the video to tell a story of pain and deception. Positive is a part of an ongoing project to transform the way films are made by displacing actors, story and concept.

 



Chris Garlington
Lento,
TRT 07:20
A young couple fight over the time it takes for her to get ready for a party.

 




Frantz/Townes Van Zandt
Billy, Boney, and Ma,
trt 05:23
An animated music video that follows a young boy's strange adventures when he accidentally unearths some bones during a souvenir dig.
Song by Townes Van Zandt.
www.townesvanzandt.com

 







Amir Motlagh
Pumkin Little uses a collection of digital video, photographs, interviews from people on the streets, a selection of old VHS video and an original soundtrack composed and perfomed by the director to tell the story of how breakdancing, discovered in middle school, became the artistic expression that ultimately carried the main subject through the roughest of times.  Shot like a cinematic dream, the film brings forth a thought-provoking portrait of a troubled teen's break from gangs and into the role of mentor by focusing on a pivotal time in the main character's life without using sensationalism. 
TRT:40min. 2005